Episode 106: Best of 2012 Part 3

This is the 106th edition of the Epileptic Gibbon podcast music show and the playlist to accompany it. CLICK HERE TO LISTEN. You can also listen via Mixcloud here. This edition of the show represents the third of my rather delayed ‘Best of 2012’ shows. There’s no feature album this time around, just lots of great music from the UK, the US, Australia, Poland, Belgium, Canada & beyond. Below you’ll find the track list, plus weblinks to where you can find more information about each artist.

Total running time: 1 hours & 55 minutes. Downloaded file is 105.2 MB.

1. The Original (4:47) – All India Radio (Taken from the album ‘Red Shadow Landing’; see www.allindiaradio.com.au/www.facebook.com/allindiaradiomusic & allindiaradio.bandcamp.com/)

2. Crumbling I (9:32) – Jamestown Pagans (Taken from the mini-album ‘Inheritance’; see jamestownpagans.bandcamp.com/, www.cdbaby.com/artist/JamestownPagans & www.facebook.com/jamestownpagans?ref=ts&fref=ts)

3. Gods and Demons (4:42) – Tonochrome (Taken from their self-titled EP; see tonochrome.bandcamp.com/ & www.facebook.com/tonochrome?fref=ts)

4. Between Earth & Heaven (4:08) – Laetitia Sadier (Taken from the album ‘Silencio; see www.dragcity.com/artists/laetitia-sadier & www.dragcity.com/products/silencio)

5. Sounds That Can’t Be Made (7:16) – Marillion (Taken from the album Sounds That Can’t Be Made; see www.marillion.com/ & www.facebook.com/MarillionOfficial)

6. Mary Celeste (5:44) – Gazpacho (Taken from the album ‘March Of Ghosts’; see www.gazpachoworld.com/, www.kscopemusic.com/gazpacho/marchofghosts/ & www.facebook.com/Gazpacho.Official.BandPage)

7. Tonal Colors (5:12) – Piotr Kurek (Taken from the album ‘Edena’; see www.piotrkurek.com/, piotrkurek.bandcamp.com/album/edena & www.facebook.com/pages/Piotr-Kurek/200229916692498)

8. Sameness (4:45) – Dementio13 (Taken from the album ‘El Lissitzky’; see dementio13.com/, dementio13.wordpress.com/ & www.facebook.com/Dementio13)

9. Pinkblueorangegeometric (4:52) – Pinklogik (Taken from the album Random Access Memory’; see pinklogik.wordpress.com/, pinklogik.bandcamp.com/www.facebook.com/pages/Pinklogik/509267029129891?ref=ts&fref=ts & freemusicarchive.org/music/Pinklogik/)

10. Rent (4:20) – Field Music (Taken from the album ‘Field Music Play…’; see www.field-music.co.uk/ & www.facebook.com/fieldmusic)

11. Man On Wire (5:26) – Miss Emily Brown (Taken from the EP ‘Wire Wood Wind’; see emilybrownmusic.com/, missemilybrown.bandcamp.com/ & www.facebook.com/pages/Miss-Emily-Brown/125002222804)

12. Capsizing (9:10) – Diagonal (Taken from the album ‘The Second Mechanism’; see www.diagonalband.co.uk/Diagonal.html, diagonal.bandcamp.com/ & www.facebook.com/diagonalband)

13. Burn My Eyes (4:00) – Coralspin (Taken from the album ‘Honey and Lava’; see coralspin.com/, coralspin.bandcamp.com/ & en-gb.facebook.com/coralspin)

14. Breaking Bad News // The Faces We Remember (6:54) – Battlestations (Taken from the album ‘In a Cold Embrace’; see music.battlestations.ws/ & www.facebook.com/Battlestations.music)

15. I Shall Consume Everything (9:26) – The Tea Club (Taken from the album ‘Quickly Quickly Quickly’; see www.theteaclub.net/, digital.theteaclub.net/album/quickly-quickly-quickly & www.facebook.com/pages/The-Tea-Club/135024363938)

Many thanks to everyone involved with this show, musicians and listeners alike. Please leave a comment if you like what you hear (or even if you don’t… feedback is so important!) or if you want to have your say on anything else connected to this podcast. If you want to keep up to date with news about the show, EppyFest, or just chat with other listeners, don’t forget that there’s a Facebook group – just search for the Eppy Gibbon Podcast Show on Facebook and request to join. The next show will be part four (of four) of my review of 2012, when I’ll be counting down my favourite 21 releases of last year. I do hope you’ll come back for that.


One thought on “Episode 106: Best of 2012 Part 3

  1. […] Epileptic Gibbon for using one of our ‘extra limited’ tracks on his podcast recently (no. 106). As I have mentioned here quite a few times, we didn’t use much limiting (sometimes referred […]

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